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Museum of Glass 10th anniversary exhibition showcases recent works by Lino Tagliapietra
Lino Tagliapietra (Italian, born 1934), Fuji, 2011. Blown glass, 16¾ x 19¼ x 6½ inches. Courtesy of the artist. Photo: Russell Johnson.
TACOMA, WASH.- Museum of Glass marks its 10th Anniversary with a new exhibition featuring the work of esteemed artist Lino Tagliapietra. Maestro: Recent Works by Lino Tagliapietra showcases 65 glass masterpieces created during the past decade (2002-2012). The exhibition opens Saturday, July 14, amidst the anniversary celebration weekend.

Tagliapietra is known internationally as the maestro of contemporary glass. Beginning at the age of eleven, he was trained by Muranese glass masters, perfecting his glassblowing skills through years of observation, repetition, and production. In subsequent years, his precision and mastery of molten glass became secondary to his creative expression. Tagliapietra has invented numerous new techniques and designs, creating works that are technically flawless and visually breathtaking—belying the complexity and difficulty of their creation. These works have positioned him as a cultural icon not only in the glass world but also as a seminal figure in contemporary art and have earned him the reputation as “the greatest living glassblower” by many of his peers.

At age 77, when most glassblowers have long since retired from a lifetime of strenuous physical work, Tagliapietra continues to expand his artistic achievement, earning numerous artistic and scholastic awards and being featured in solo and group exhibitions. “I hope that people see the love, the love for the material, the love for the fire. For the art I try to be honest with myself. That’s all.”

Maestro presents an overview of Tagliapieta’s most recent series. The works displayed demonstrate his evolution to larger works and use of bolder colors and patterns over his nearly fifty years as an artist. Six large-scale installations, featuring colorful butterflies (Borboleta), boats (Endeavor), seagulls (Gabbiani) and two separate collections of shields (Masai), are central to the exhibition. The final installation, a 79 x 40-inch curio case containing nearly one hundred opaque glass vessels, is titled Avventura which is Italian for ‘adventure’ and references Tagliapietra’s view of the unpredictable nature of molten glass. Some of the objects in the exhibition were created at Museum of Glass during one of Tagliapietra’s several Visiting Artist residencies in the Hot Shop.

“It is a privilege to host this exhibition—yet another salute to Lino’s lifetime of artistic achievement—at Museum of Glass,” comments executive director Susan Warner. “This body of work was created during the same timeframe that the Museum has been in existence. To celebrate this magnificent artist—who has influenced and inspired so many of the artists and visitors who have come through our doors—while we celebrate our first decade of service is very fitting.”



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