November 24, 1957 - World-famous Mexican painter influenced by Cézanne, an active communist, and a husband of Frida Kahlo, died in 1957. Rivera's large wall works in fresco established the Mexican Mural Renaissance together with works by Orozco, Siqueiros, and others. Between 1922 and 1953, Rivera painted murals in Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, New York City. His 1931 retrospective exhibition at the Museum of Modern Art in New York City was their second. Rivera paintings are exhibited by many of the greatest museums. When his patron discovered in 1933 that Rivera had painted a portrait of Lenin in the mural Man at the Crossroads at Rockefeller Center, Nelson Rockefeller angrily insisted the figure be painted out. Rivera refused and Rockefeller fired him and destroyed the unfinished work. Rivera was a notorious womanizer who had fathered at least two illegitimate children by two different women: Angeline Beloff gave birth toa son, Diego (1916-1918); Maria Vorobieff-Stebelska gave birth to a daughter in 1918. He married his first wife, Guadalupe Marín, in June 1922, with whom he had two daughters. He was still married when he met art student Frida Kahlo. They married on August 21, 1929; he was 42, she was 22. Their mutual infidelities and his violent temper led to divorce in 1939, but they re-married December 8, 1940 in San Francisco. After Kahlo's death, Rivera married Emma Hurtado, his agent since 1946, on July 29, 1955. (www.wikipedia.org)
November 22, 1988 - Considered the most important Mexican architect of the 20th century died on this date. In 1980, he became the second winner of the Pritzker Prize. His house and studio, built in 1948 in Mexico City, was listed as a UNESCO World Heritage site in 2004. Barragán created an architectural language that combined modernism with the colonial and pre-hispanic architecture of Mexico. He was greatly influenced by the European modernism of his time; however, he was also deeply influenced by his visit to the Alhambra in Spain and, most of all, by the vernacular architecture of Mexican villages and gardens. While his geometric volumes were very purist through the use of perfect planes and volumes, he also incorporated natural materials such as cobble stone and wood. His use of light and water are quite unique, as can be seen in many of his residential interiors and fountain features. The typical, tall (3.5m [12ft.] or more) coloured walls, whichhe borrowed and modified from traditional Mexican building, became his trademark. He situated many of his designs amidst natural backdrops, such as lava rock outcrops and groves of trees. His understanding of aesthetics allowed him to design urban landmarks as well as furniture and gardens. Although the number of works he completed is not great, they have allowed him to become an influential figure in the world of landscape and architectural design, as well as object design. (www.wikipedia.org)
November 23, 1883 - in Zapotlán el Grande (now Ciudad Guzmán), Jalisco. He was a famous Mexican social realist painter, who specialized in bold murals that established Mexican Mural Renaissance together with murals by Diego Rivera, Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, and less realistic than fascinated by machines Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, Jiquilpan, Michoacán. His drawing and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara. With Diego Rivera, he was a leader of the Mexican Mural maccaroni. An important distinction he had from Rivera was his critical view of the Mexican Revolution. While Diego was abold, optimistic figure, touting the glory of the revolution, Orozco was less comfortable with the bloody toll the social movement was taking. Orozco is known as one of the "Big Three" muralists along with Diego Rivera and David Alfaro Siqueiros. All three artists, as well as the painter Rufino Tamayo, originated in Mexico, experimented with fresco on large walls, and elevated their art of mural in fresco to the world-fame class known as Mexican Mural Renaissance. (www.wikipedia.org)
November 21, 1898 - Magritte was born in Lessines, in the province of Hainaut, A consummate technician, his work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things. The representational use of objects as other than what they seem is typified in his painting, The Treachery Of Images (La trahison des images), which shows a pipe that looks as though it is a model for a tobacco store advertisement. Magritte painted below the pipe, This is not a pipe (Ceci n'est pas une pipe), which seems a contradiction, but is actually true: the painting is not a pipe, it is an image of a pipe. (In his book, This Is Not a Pipe, French critic Michel Foucault discusses the painting and its paradox.) Magritte pulled the same stunt in a painting of an apple: he painted the fruit realistically and then used an internal caption or framing device to deny that the item was an apple. In these Ceci n'est pas works, Magritte points out that no matter how closely, through realism-art, we come to depicting an item accurately, we never do catch the item itself: we cannot smoke tobacco with a picture of a pipe. His work showed in the United States in New York in 1936 and again in that city in two retrospective exhibitions, one at the Museum of Modern Art in 1965, and the other at the Metropolitan Museum of Art in 1992. Magritte died of pancreatic cancer on August 15, 1967 and was interred in Schaarbeek Cemetery, Brussels. (www.wikipedia.org)
November 20, 2006 - Altman died at age 81 at Cedars-Sinai Medical Center, in Los Angeles. According to his production company in New York, Sandcastle 5 Productions, he died of complications from leukemia. He was an American film director known for making films that are highly naturalistic, but with a stylized perspective. In 2006, the Academy of Motion Picture Arts and Sciences recognized his work with an Academy Honorary Award. His films MASH and Nashville have been selected for preservation in the United States National Film Registry. 1969 when he was offered the script for MASH, which had previously been rejected by dozens of other directors. Altman directed the film, and it was a huge success, both with critics and at the box office. It was Altman's highest grossing film. Altman's career took firm hold with the success of MASH, and he followed it with other critical breakthroughs such as McCabe & Mrs. Miller (1971), The Long Goodbye (1974), and Nashville (1975), which made the distinctive, experimental "Altman style" well known. As a director, Altman favored stories showing the interrelationships between several characters; he stated that he was more interested in character motivation than in intricate plots. As such, he tended to sketch out only a basic plot for the film, referring to the screenplay as a "blueprint" for action, and allowed his actors to improvise dialogue. This is one of the reasons Altman was known as an "actor's director," a reputation that helped him work with large casts of well-known actors. (www.wikipedia.org)
November 19,1798 - The Rijksmuseum (State Museum) is a Dutch national museum in Amsterdam, located on the Museumplein. The museum is dedicated to arts, crafts, and history. It has a large collection of paintings from the Dutch Golden Age and a substantial collection of Asian art. The museum was founded in 1800 in The Hague to exhibit the collections of the Dutch stadtholders. It was inspired by French example. By then it was known as the National Art Gallery (Dutch: Nationale Kunst-Gallerij). In 1808 the museum moved to Amsterdam on the orders of king Louis Napoleon, brother of Napoleon Bonaparte. The paintings owned by that city, such as The Night Watch by Rembrandt, became part of the collection. In 1863 there was a design contest for a new building for the Rijksmuseum, but none of the submissions was considered to be of sufficient quality. Pierre Cuypers also participated in the contest and his submission reached the second place. In 1876 a new contest was held and this time Pierre Cuypers won. The design was a combination of gothic and renaissance elements. The construction began on October 1, 1876. On both the inside and the outside, the building was richly decorated with references to Dutch art history. Another contest was held for these decorations. The winners were B. van Hove and J.F. Vermeylen for the sculptures, G. Sturm for the tile tableaus and painting and W.F. Dixon for the stained glass. The museum was opened at its new location on July 13, 1885. The front of the museum is located at the Stadhouderskade, but on the other side it has a prominent position on the Museumplein, nowadays among the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. (www.wikipedia.org)
November 18, 1976 - He was born Emmanuel Radnitzky in Pennsylvania, in South Philadelphia, was an American artist who spent most of his career in Paris, France. Perhaps best described simply as a modernist, he was a significant contributor to both the Dada and Surrealist movements, although his ties to each were informal. Best known in the art world for his avant-garde photography, Man Ray produced major works in a variety of media and considered himself a painter above all. He was also a renowned fashion and portrait photographer. While appreciation for Man Ray’s work beyond his fashion and portrait photography was slow in coming during his lifetime, especially in his native United States, his reputation has grown steadily in the decades since. In 1999, ARTnews magazine named him one of the 25 most influential artists of the 20th century, citing his groundbreaking photography as well as "his explorations of film, painting, sculpture, collage, assemblage, and prototypes of what would eventually be called performance art and conceptual art" and saying "Man Ray offered artists in all media an example of a creative intelligence that, in its 'pursuit of pleasure and liberty,'" — Man Ray’s stated guiding principles — "unlocked every door it came to and walked freely where it would." The film shown here was made by Man ray in 1926. He died in Paris on November 18, 1976, and was interred in the Cimetičre du Montparnasse, Paris. His epitaph reads: unconcerned, but not indifferent. When Juliet Browner Man Ray died in 1991, she was interred in the same tomb. Her epitaph reads, together again. Juliet set up a trust for his work and made many donations of his work to museums.
November 17, 1904 - Isamu Noguchi was born in Los Angeles. He was a prominent Japanese -American artist and landscape architect whose artistic career spanned six decades, from the 1920s onward. Known widely for his sculpture and public works, Noguchi also designed stage sets for various Martha Graham productions, and several mass-produced lamps and furniture pieces, some of which are still manufactured and sold. Among his furniture work was his collaboration with the Herman Miller company in 1948 when he joined with George Nelson, Paul László and Charles Eames to produce a catalog containing what is often considered to be the most influential body of modern furniture. His work lives on around the world and at the The Noguchi Museum in New York City. Following the suicide of his friend Arshile Gorky and a failed romantic relationship with Nayantara Pandit, the niece of Indian nationalist Jawaharlal Nehru, Noguchi applied for a Bollingen Fellowship to travel the world, proposing to study public space as research for a book about the "environment of leisure." In the ensuing years he gained in prominence and acclaim, leaving his large-scale works in many of the world's major cities. (www.wikipedia.org)
November 16, 1943 - He was born in New York City, New York (according to his professional biography). With two writing credits to his name (the science fiction film Silent Running and the second Dirty Harry film, Magnum Force), Cimino moved up to directing when his spec script, Thunderbolt and Lightfoot, was purchased by Clint Eastwood's production company, Malpaso, with Eastwood originally slated to direct it himself. However, Cimino convinced him to allow him to direct the film, which became a solid box office success at the time, and which enjoys a minor cult status today. With the success of Thunderbolt and Lightfoot, Cimino was able to secure a stellar cast and freedom from studio interference for his second film, The Deer Hunter (1978). The picture became a massive critical and commercial success, and won a number of Oscars, including Best Director and Best Picture. On the basis of this track record, he was given free rein by United Artists for his next film, Heaven's Gate (1980). The film came in several times over budget; the result not only was a financial disaster that nearly bankrupted the studio, but Heaven's Gate became the lightning rod for the industry perception of the out-of-control state of Hollywood at that time. The film marked the end of the so-called New Hollywood era. Transamerica Corporation, the owner of United Artists, lost confidence in the film company and its management. Transamerica soon sold the company. Heaven's Gate was such a devastating box office and critical bomb that public perception of Cimino's work was almost irretrievably tainted in its wake; none of his subsequent films achieved popular or critical success. In 1984, after being unable to finalize a deal with director Herbert Ross, surprisingly, Paramount Pictures offered the job of directing Footloose to Cimino. According to screenwriter Dean Pitchford[1], Cimino was at the helm of Footloose for four months, making more and more extravagant demands in terms of set construction and overall production. Finally, Paramount realized that it potentially had another Heaven's Gate on its hands. Paramount fired Cimino and finalized the deal with Herbert Ross to direct the picture, as had originally been intended. (www.wikipedia.org)
November 15, 1887 - O'Keeffe was born in a farmhouse on a large dairy farm in Sun Prairie, Wisconsin. She is typically associated with the American Southwest and particularly New Mexico where she settled late in life. O'Keeffe has been a major figure in American art since the 1920s. She is chiefly known for paintings in which she synthesizes abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors, and she often transformed her subject matter into powerful abstract images. Her work was included in exhibitions in and around New York, and in the 1940s, and she was given two one-woman retrospectives, the first at the Art Institute of Chicago in 1943 and another in 1946 at the Museum of Modern Art in New York, the first ever given by that museum to a woman. She was also awarded honorary degrees by numerous universities, the first by the College of William and Mary in 1938, and in the mid-1940s, the Whitney Museum of American Art sponsored a project to establish the first catalogue of her work. Georgia became increasingly frail in her late 90's and moved to Santa Fe where she would die on March 6, 1986, at the age of 98. Per her instructions, she was cremated the next day. Juan Hamilton walked to the top of the Pedernal Mountain and scattered her ashes to the wind...over her beloved "faraway". (www.wikipedia.org)
November 14, 1840 - Monet was born on the fifth floor of 45 rue Laffitte, in the ninth arrondissement of Paris. was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. The term Impressionism is derived from the title of his painting Impression, Sunrise. During the early 1880's Monet painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series' paintings. In the 1880s and 1890s, Monet worked on "series" paintings, in which a subject was depicted in varying light and weather conditions. His first series exhibited as such was of Haystacks, painted from different points of view and at different times of the day. Fifteen of the paintings were exhibited at the Durand-Ruel in 1891. He later produced series of paintings of Rouen Cathedral, poplars, the Houses of Parliament, mornings on the Seine, and the water-lilies on his property at Giverny. Monet was exceptionally fond of painting controlled nature: his own garden in Giverny, with its water lilies, pond, and bridge. He also painted up and down the banks of the Seine.Monet died of lung cancer on December 5, 1926 at the age of 86 and is buried in the Giverny church cemetery. Monet had insisted that the occasion be simple; thus, only about fifty people attended the ceremony. (www.wikipedia.org)
A Screensaver and Wallpapers Free for our Subscribers
ArtDaily.org offers its subscribers this first series of 18 wallpapers. Here we show the first four and when you subscribe you will find a nice surprise: 18 photographs taken exclusively for ArtDaily by Luis Ugarte, adapted to be used as wallpapers. Remember that the subscription to artdaily.org is free forever, no cookies, no questions.
ArtDaily.org invites its readers to subscribe to the newsletter, which will be delivered every day to your email and making available to you our artistic screensaver for free. The screensaver portrays four photographs of Michelangelo's David that has just been restored at the Academia in Florence. You can see a preview of our screensaver. The photographs were taken by Franco Origlia and we have purchased the rights to reproduced them from Getty Images. Our subscribers will be able to download the screensavers first.
Subscribe now and Download
1. Subscribe Artdaily. 2. To install the screensaver you need to download it. 3. Once you have downloaded it you have to decompress it with any zip application (Windows XP does it automatically). 4. Once you have decompressed it you have to double click to start the installation. 5. Continue with the steps that appear in the installer or press next on each screen. 6. Once installed, the control panel will open automatically, allowing you to view a preview of the screen saver.
Johann Karl Kretschemar, Portrait of Amalie Beer, ca. 1803. Oil on canvas. Stiftung Stadtmuseum Berlin, Hans-und-Luise-Richter Stiftung.
CHESTNUT HILL, MA.-Beginning this month, the McMullen Museum of Art at Boston College and the New Center for Arts and Culture, Boston will present The Power of Conversation: Jewish Women and Their Salons. The exhibition was organized by The Jewish Museum in New York, where it debuted in March and was on display until July 10.
The McMullen Museum is the exclusive other venue for this critically-acclaimed exhibition, which highlights the role played by the salons of Jewish women in the development of art, literature, music, theater, philosophy and politics in Europe and America from the late 18th century through the Second World War. The exhibition will be on display through December 4, 2005.
“This compelling exploration of the emergence of modernisms viewed through the lens of Jewish saloničres takes on added meanings within the context of a Jesuit Catholic University,” said McMullen Museum Director and Professor of Art History Nancy Netzer. “The McMullen is grateful to the New Center for Arts and Culture, and especially its director Shoshana Pakciarz, for proposing a collaboration, which enhances possibilities for rewarding and productive dialogue surrounding this inspired exhibition.”
The Power of Conversation: Jewish Women and Their Salons -An important and radical vehicle for the "democratization of the public sphere," the salon provided a context in which nobility, artists and intellectuals exchanged ideas across barriers of class, gender, nationality and religion. Salons enabled women and Jews—whose participation in official public life was restricted—to play a prominent role.
The exhibition probes the role private conversations had in fostering the careers of celebrities such as Felix Mendelssohn, Marcel Proust, Oscar Wilde, Gustav Klimt, Pablo Picasso, Marcel Duchamp and Greta Garbo.
The Power of Conversation, which was organized for The Jewish Museum by guest curators Emily Bilski and Emily Braun, focuses on the most powerful women who hosted these salons. According to exhibition organizers, the exhibition reveals these saloničres as exceptional women who became major players in the society, arts and politics of their times, despite their minority status, and examines the salon as a seat of power for women and a means of social ascent for traditional outsiders.
Among the engaging women examined are: Henriette Herz, one of the first Jewish women to host a salon; Amalie Beer and Fanny Mendelssohn Hensel (the sister of composer Felix Mendelssohn), who convened music salons in Berlin; Gertrude Stein, who assembled a group of avant-garde writers and artists in Paris; Ada Leverson, who welcomed Oscar Wilde to her London salon; Margherita Sarfatti and Anna Kulisicoff, who established salons in Italy in the early twentieth century; and Florine Stettheimer and Salka Viertel, who hosted their guests in salons in New York and Los Angeles, respectively.
Organizers note that, through a detailed documentation of the celebrities and geniuses who attended their salons (and wrote about them), of the works that hung on the walls or debuted in their homes, and of careers and relationships made and broken, The Power of Conversation demonstrates the uniquely public domain of the private saloničre.
The exhibition comprises more than 150 objects, including portraits of the saloničres and their guests, manuscripts, musical scores, sculpture, paintings, drawings, books, photographs, furniture and films. Exhibition highlights include nine oil paintings by the New York-based American artist and saloničre Florine Stettheimer; 14 drawings by Wilhelm Hensel which include Michael Beer, Niccolň Paganini, Goethe, Abraham Mendelssohn Bartholdy and Rahel Varnhagen (née Levin); and works by Gustav Klimt, Auguste Rodin, Achille Funi, Moritz Daniel Oppenheim, Max Beerbohm, Aubrey Beardsley and Josef Hoffmann.
According to organizers, by the mid-20th century, movies, television and radio had largely replaced the role salons had played in facilitating cultural exchange and dialogue. In addition, the need for salons by women and Jews disappeared with political and social emancipation.
Visitors to the exhibition may hear conversations, music, memoirs and letters of the hostesses and their salon guests on an audio guide available free of charge. A fully illustrated catalogue, published by Yale University Press for The Jewish Museum, with essays by scholars—including the two co-curators, Emily D. Bilski and Emily Braun—accompanies the exhibition and is available through the Boston College Bookstore (www.bc.edu/bookstore).
